In 1993, I set sail aboard Vagabond, a small Pearson sloop, with little more than paints, canvases, and curiosity. With two friends, we traversed the Caribbean, slipped through the Panama Canal, and crossed the vast Pacific Ocean — stopping at Easter Island, Tahiti, Fiji, and countless islands along the way.
I painted landscapes, ruins, and lush nature — each canvas not just a work of art, but a way of understanding the world and myself. Those two years at sea were more than a voyage; they were an apprenticeship in perspective and reinvention.
Today, I’ve come full circle, back at sea — but with new tools. Aboard Odyssey, my 50-foot sailing catamaran, the canvases have become VR rigs, 360° cameras, drones, and AI. She’s more than a vessel; she’s a solar- and wind-powered floating production studio, capable of capturing immersive media anywhere on Earth.
From the Bahamas to the Azores, Sardinia to the Mediterranean, every horizon becomes part of a larger narrative: one that blends exploration, art, and technology.
For me, drones are not just machines, and VR isn’t just code. They are brushes in the sky — tools of expression as alive as any paint on canvas.